The posthumanist approach to the health system acknowledges the implication of humans in the context of diversity-dependent meshwork, while also engaging with recent developments in the NIBC suite of technologies. On this basis, all manners and forms of contingent material relations in the biophysiological system are taken into consideration for the public health in the age of emerging biotechnology. The enactment for posthuman pathology is predicated on multiagent interactions between the human body and nonhuman entities in the meshwork of social and material assemblages.
Matsumoto’s process-oriented compositional techniques imbue the work with what we see as the very essence of our sociocultural environments, beyond the conventional protocols of architectural and artistic formalities; they conjure up the synthetic possibilities within which the spatial and temporal variations of existing spatial semiotics emerge as the potential products of alchemical procedures.
Ryota Matsumoto (松本良多) is an artist, designer and urban planner. Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in the early 90s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Cesar Pelli, Peter Christopherson, MIT Media Lab ,and Nihon Sekkei Inc. His current interest gravitates around the embodiment of cultural possibilities in art, ecology, and urban topography.